Difference between revisions of "Icons of the Theotokos"

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Image:Tikhvin Theotokos.jpg|[[Theotokos of Tikhvin]] ''(Hodigitria)''
 
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Image:Sanctityoflife sm.jpg|''(Eleusa)''
 
Image:Sanctityoflife sm.jpg|''(Eleusa)''

Revision as of 18:18, January 23, 2007

Theologically, the icons of the Theotokos represent the first human being who realized the goal of the Incarnation: the deification of man. This is in contrast to the icons of Christ, the basis for all iconography, representing God who became man.

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Description and symbols

Iconographers of all times tried to show in the image of Theotokos as much beauty, gentleness, dignity and grandeur as they could imagine. They sometimes paint grief, and sometimes sorrowful, but always filled with spiritual strength and wisdom.

The Most Pure Lady is always shown with her head covered with a veil, which drops to her shoulders, according to the tradition of Jewish women of that time. This veil or head covering is usually colored red to show her suffering and her acquired holiness. Under her veil her clothing is blue, symbolizing the humanity of the Theotokos.

There are three golden stars, one on the forehead and one on each shoulder of the Most Holy Theotokos. These stars symbols of her virginity. She was a virgin before, during, and after the Nativity of Christ. The three stars are also a symbol of the Holy Trinity. Sometimes the third star is covered by the figure of the Christ Child the second person of the Holy Trinity.

Number of types

There is no other subject in iconography, besides Christ, that has been painted so often and with so much love, as the image of the Theotokos. There are five main types of representation of the Theotokos in Orthodox iconography:

  • The Guide; Hodigitria - In this type, the Ever Virgin Mary is holding Christ and pointing toward Him, as a guide to God and salvation.
  • Tender Mercy; Eleusa - In this type, the Theotokos holds her Son, who touches his face to hers and wraps at least one arm around her neck or shoulder. The Theotokos represents the Church of Christ, thereby displaying the fullness of love between God and man, a love that can only be achieved within the bosom of church, the Mother.
  • All Merciful, Panakranta – In this type, Mary is regally enthroned with Baby Jesus on her lap, both facing the viewer. The throne symbolizes her royal glory, she alone is perfect among those born on earth. According to the Fourth Ecumenical Council, she presides with Christ over the destiny of the world.
  • Intercessor, Agiosortissa – Mary is shown alone, in profile with her hands held out in supplication. She is facing to her left, usually to a separate icon of Christ.
  • Praying, - Oranta , Panagia , Lady of the Sign - In this type, Mary is shown with arms in ornate position, with Christ enclosed in a circle in her womb. "Of the Sign," is a reference to the words of Isaias 7:14, "The Lord himself shall give you a sign. Behold a virgin shall conceive, and bear a son, and his name shall be called Emmanuel."

The calendar of the Russian Church, where iconography of the Virgin is highly developed, mentions 260 of her icons noted for miracles and celebrated liturgically. The Menaion of Sergius numbers the designations of Most Holy Theotokos icons at 700.

History

The tradition attributes St. Luke with painting the first icons of the Theotokos. We know of three types he painted: "Umilenie" (Our Lady of Tenderness), "Hodigitria" (She who leads the way), and a third type, of her without a child or praying to the Christ child. (The facts of the third type are confused).

Icons

Source

  • Theology of the Icon by Leonid Ouspensky ISBN 0-88141-124-8